Exhibitions

Today/Tomorrow/Yesterday: Michael McCaffrey

Since 2014, artist Michael McCaffrey has created a deeply personal body of paintings, drawings, and collages centered on his 87-year-old father, who serves as both muse and collaborator. Today/Tomorrow/Yesterday explores the evolving relationship between father and son while reflecting on the stories, memories, and shared experiences that shape a lifetime.

The exhibition examines the complex nature of memory—how it is preserved, altered, and reconstructed over time. While many of the works are rooted in real events, they embrace the embellishments, distortions, and unexpected connections that naturally emerge through the act of remembering. Time folds, overlaps, and loops back on itself, creating dreamlike compositions where past and present coexist, even when the people, places, and objects within them seem disconnected. Throughout the exhibition, another recurring presence appears: cats, woven playfully into many of the works.

“Painting is remembering,” McCaffrey says. “I'm interested in what is remembered accurately, what is distorted, and what is invented through the act of remembering.”

By blending observation with imagination, Today/Tomorrow/Yesterday invites visitors to consider not only the relationship between memory and time, but also how painting itself becomes a record of lived experience. Each work captures both a moment in life and the passage of time required to create it, revealing the tension between the stillness of the painted image and the fluid, unreliable nature of memory.

Michael McCaffrey is a nationally recognized contemporary painter whose work explores family, memory, and the passage of time through richly layered figurative compositions. His thoughtful and often humorous approach offers an intimate glimpse into the evolving relationship between artist and subject while raising universal questions about how we remember the people and moments that shape our lives.

This exhibition will be on view from August 22nd - November 8th, 2026

Visible Evidence:

Jill Enfield

For centuries, the Hudson River has been a route for people and goods traveling through the region. Native peoples traveled and lived along its banks, and later shipping, manufacturing, commerce, and immigration shaped the towns that developed beside it. Today, the Metro-North Railroad follows the river connecting many of these towns with New York City.

​I began photographing the Hudson River from the window of the train during my weekly commute. What began as a way of recording what I saw gradually became a larger investigation into the history of the places I was passing.

These photographs are not intended to be a literal record of the Hudson River Valley. Instead, they grew out of repeatedly seeing the same landscape from a moving train and noticing how traces of different periods exist alongside one another. Industrial buildings, bridges, older neighborhoods, newer development, and stretches of open river appear and disappear within seconds. The river and landscape became a way for me to think about how a place changes over time while still carrying visible evidence of what came before. Seen through a moving window, these places were never completely still. The long exposures record some of that movement as blur and softness rather than freezing the landscape in perfect detail. Instead of correcting those qualities, I allow them to remain visible in the finished photographs.

​The photographs became much more than digital images. Once back in my darkroom, I turned to historical photographic processes to connect the contemporary landscape I was photographing with earlier periods in the Hudson Valley’s history.

I first create wet plate collodion ambrotypes on glass, using a process developed in the nineteenth century, a period when industry, transportation, and development were rapidly changing the Hudson Valley. I then scan and enlarge the ambrotypes to create platinum/palladium prints. Each image moves through three distinct stages: a digital photograph made from a moving train, a wet plate image on glass, and a handmade platinum/palladium print. Using these older processes slows down and physically alters an image that was originally made in a fraction of a second.

​The Hudson Valley has experienced continual cycles of growth, decline, abandonment, and renewal. Towns that once depended on manufacturing, shipping, and industry lost many of those economic foundations, and over time, buildings and industrial sites were abandoned or repurposed. More recently, some of these communities have changed again as artists, families, and new businesses have arrived. I am interested in photographing the Hudson Valley at this point in that continuing process, when evidence of its industrial past, periods of decline, and more recent redevelopment can often be seen within the same landscape.

 

This exhibition will be on view from September 19th - November 8th, 2026

Upcoming Exhibitions

PERMANENT COLLECTION

One of the Midwest’s finest collections of 18th to 21st Century American Art

Discover selections from the over 3000+ piece collection

 PAST EXHIBITIONS