 Wi-Jun-Jon,
An Assinneboin Chief,
1844
Purchased with funds donated by the Kemper Foundations |
George Catlin
(American, 1796-1872)
George Catlin's life (1796-1872) is a fascinating tale of a
self-taught artist. He was trained as a lawyer in
Philadelphia, but his calling was to become a painter. In
1828, upon seeing a delegation of stately western Indians he
declared "nothing short of the loss of my life, shall prevent
me from visiting their country, and becoming their historian."
He yearned to produce images of what he thought was a
vanishing culture. Ultimately, his trips to the Great Plains
to paint American Indians cost him a life with his wife and
children. The first white artist to travel deep into the
American West and record the appearance and customs of the
native peoples, Catlin spent six years in the 1830s painting
Indian subjects and gathering artifacts for his huge "North
American Indian Gallery," which he toured through North
America and Europe in the late 1830s and early 1840s. The
North American Indian Portfolio, a group of hand-colored
lithographs based on his original paintings, and originally to
have numbered four volumes, was intended to generate income,
but the cost of the publication proved too high for the
popular market, and Catlin
lost money on the venture. Only the first
volume, subtitled Hunting Scenes and Amusements of the
Rocky Mountains and Prairies of America, was published. (Catlin's
Indian Gallery also proved too expensive to maintain, and
eventually ruined the artist financially.)

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